Spiral book of saw twist how to#
Spiral book of saw twist movie#

The Saw sequels are usually obsessed with drawing tenuous connections and filling in narrative gaps through flashbacks. Not only is the film un-Saw-like in structure, but it has a strange relationship to the Saw series’ sprawling continuity. It’s simply CSI: Jigsaw, with Zeke and his fellow officers responding to hints and discovering gruesome crime scenes while trying to figure out the killer’s identity.

Spiral book of saw twist movie#

Spiral, despite marketing itself as a Saw movie (or at least, Saw-adjacent), doesn’t actually have a central “game” of which to speak. The first Saw was an escape room the second was an escape house the third was a walkthrough of a hellish meat factory - and so on. It would be one thing if tapping into Rock’s comedic energy were the point - the marketing certainly seems to be courting mainstream moviegoers - however, Zeke puts on a serious face for the rest of the film once mysterious clues begin showing up at the station, and cops around him start being kidnapped and placed in Jigsaw games one at a time.Īt this point, you may be wondering what the film’s central premise even is. Zeke isn’t so much a real person in a tough predicament, but an evocation of the idea of virtue when he’s introduced, he doesn’t speak in dialogue as much as he does in stand-up routines about divorce, as if Rock had simply re-used outtakes from his 2018 special Tamborine. Chris Rock originally approached Lionsgate with the idea for a new Saw film, and the final product feels like a vehicle for his talents, though not necessarily his dramatic ones. At the story’s center is Ezekiel “Zeke” Banks (Chris Rock), seemingly the only virtuous cop in a department of corrupt scumbags, and the son of a respected retired police captain, Marcus Banks (Samuel L.

It’s gaudy, intense, and enjoyable in a way the series hasn’t been for ages, but everything tumbles downhill from there. It’s a simple, back-to-basics trap that pivots away from the large-scale Rube Goldberg torture houses of later entries. Spiral, the ninth entry in the series (and the second soft reboot in recent years), has an opening scene that promises an understanding of what made the series tick.

Spiral book of saw twist how to#

The key difference, however, is that Saw VI knew how to have fun with its premise. Spiral, similarly, attempts to draw thematic connections between two forms of predatory death-dealing: Jigsaw traps, which force victims into self-mutilation in order to survive, and a brutal system of policing that shields itself from consequences, even when its officers kill people. Saw VI, the last enjoyable entry, took aim at America’s broken healthcare industry by placing a health insurance CEO in its central game, forcing him to choose which of his employees would live or die. Granted, it wouldn’t be the first Saw film to attempt this.